
After a round-the-world search and live screening jury auditions, thirty of the best young pianists from countries near and far descend on Fort Worth for an intensive three weeks of piano music-making. If a pianist makes it to the finals, s/he will have performed three recitals, each close to an hour; a quintet in collaboration with the Takaçs String Quartet; a chamber concerto; and a large orchestra concerto. And throw in a lot of practice and rehearsals to boot. It's enough to separate the wheat from the chaff, and the concert-career-ready players from the need-to-percolate pretenders.
Because the New Orleans Wine & Food Experience overlapped with the first days of the Cliburn, we missed some of the preliminary-round recitals. We did catch the final few competitors, but our experience and judgment this time was based mainly on the semifinal round.

But guess what? I'm neither musician nor music critic, just a woman who has been an avid classical music lover and regular concertgoer (both at home and on my travels) for 30+ years. So I won't try to rate the performances. I simply want to create a picture of what it's like to BE at the Cliburn, and leave you with no doubt that it's worth a special trip to Fort Worth for as long as you can be present, be that three days or three weeks.
The music speaks for itself. All in all there are about two dozen three-and-a-half hour sessions of music over two and a half weeks. The caliber of performers gets better with every competition, and the Fort Worth Symphony has significantly matured under its usual guidance of its music director Miguel Harth-Bedoya (though the competition conductor is the distinguished James Conlon).
The music brings out all the geeky marvellousness of the Cliburn and it atomizes into a general atmosphere of camaraderie and shared interest among everyone in attendance, from competitors to volunteers to staff to press to every audience member. It's impossible to put into words, but it's palpable and pervasive. The idea that you all have something so meaningful and deeply enjoyable in common simply bonds everyone, friend and stranger alike, for the duration of the event.

But wait, there's more! Besides all the terrific music and the great vibe, the Cliburn makes sure there is plenty to entertain you when there's no competitive playing. This year there is a symposium series on music and its connection to diplomacy in the 21st century as well as a huge series of films by award-winning documentarian Peter Rosen, covering everything from composers to facilities to the competition to even architecture. Not enough to fill the time of those very few days away from the competition sessions? How about two more sessions of unofficial recitals? On the two "off" days before the finals commenced, there were at least six recitals by competitors who did not advance but who agreed to play some of their remaining recital repertoire for a couple hundred fans, while the finalists rehearsed with Conlon and the Fort Worth Symphony. (Below, finalists with Van. L to R: Yeol Eum Son, Haochen Zhang, Mariangela Vacatello, Nobuyuki Tsujii, Van Cliburn, Di Wu, and Evgeni Bozhanov.)

There are plenty of convenient and delicious restaurants in downtown Fort Worth to satisfy your baser needs as well (bars, too). The Cliburn is so utterly all-encompassing, though, that you may sit down to dinner and discover that your waiter was a vocal performance major and that the restaurant's cool new piece of art has donated parts from Steinway and was unveiled for the competition (The Vault, quite good food and excellent service), or that the kitchen staff is listening intently to every note live on the radio, as we found at Riscky's BBQ a few years back.



View blog posts here, here, here, here and here. Pictured at right are two of the Cliburn's "official" bloggers, Ken Iisaka of California and Mike Winter of Idaho.
Look through print and radio news archives here, here and here.
Have fun with the virtual experience, and please contact me to plan your 2013 Cliburn extravaganza! My sixth competition could be your first. If you can't wait that long, ask me about the International Piano Competition for Outstanding Amateurs that will take place in May 2011.
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